歸途之心（土耳其/比利時/2022/劇情）
CLOVES & CARNATIONS (TURKEY/BELGIUM/2022/DRAMA)
BIR TUTAM KARANFIL
語言：土耳其語、阿拉伯語
Language: Turkish, Arabic
劇介
在白雪皚皚又荒涼的安納托利亞的東南部，老難民Musa帶著妻子的遺體和孫女要返回家鄉。當他們越來越接近交戰國家的邊境，旅程也變得更加艱困。警察追上了他們，Musa與孫女失散。
導演：貝克波布
編劇：貝克波布，布斯拉波布
製片：哈利勒卡達斯
製作公司：Bo Dream Productions, Filmcode Production
演員：德米帕斯坎，山姆塞利特齊丹，巴哈迪艾菲，塔辛拉萊
伊格亞札爾，塞丘克西姆塞克，菲拉特凱馬克，艾敏奇夫特奇，塞坎比吉
獎項：
貝克波布
• 2023年索非亞國際電影節國際競賽大獎入圍
• 2023年索非亞國際電影節國際競賽特別評審獎
• 2023年得土安國際地中海電影節大獎
• 2023年伊斯坦堡國際電影節國內競賽最佳攝影指導
• 2022年東京國際電影節亞洲長片最佳影片獎入圍
• 2022年塞薩洛尼基電影節觀眾票選獎入圍
影評
• 土耳其導演貝克波布帶來第二部作品《歸途之心》，同樣是一個扣人心弦的故事，在安納托利亞東南部遺世獨立的地區取景，拍攝了絕美畫面。一位老難民和12歲的孫女要前往敘利亞邊境，他們抬著一口棺材，裡面是老人妻子的遺體。路上沒有汽車或卡車能搭一程的時候，他們就必須步行，老人拖著棺材緩緩前進，這是關於失落和哀悼的強烈隱喻。沉默寡言、戴著羊毛手套也很會畫畫的孫女非常討喜。本片風格很有伊朗電影的味道：正在說話的人往往不會入鏡。
Synopsis
In the snowy and desolate roads of South Eastern Anatolia, Musa, an old refugee, carries the corpse of his deceased wife to their homeland with his granddaughter. Their journey becomes more difficult as they get closer to the border of a country at war. Once they get caught up by the police, their ways separate in three different destinations.
Director: Bekir Bülbül
Writers: Bekir Bülbül, Büsra Bülbül
Producer: Halil Kardas
Production Co: Bo Dream Productions, Filmcode Production
Cast: Demir Parscan, Şam Şerit Zeydan, Bahadır Efe, Tahsin Lale,
Yiğit Ege Yazar, Selçuk Şimşek, Fırat Kaymak, Emine Çiftçi, Serkan Bilgi
Awards:
Bekir Bülbül
• Grand Prix Nominee, International Competition, Sofia International Film Festival, 2023.
• Special Jury Award (Director), International Competition, Sofia International Film Festival, 2023.
• Grand Prize (Director), International Competition, Tetoun International Mediterranean Film Festival, 2023.
• Best Director of Photography, National Competition, Istanbul International Film Festival, 2023.
• Best Film Nominee, Asian Future Best Film Award, Tokyo International Film Festival, 2022.
• Audience Award Nominee, Thessaloniki Film Festival, 2022.
Review:
• Cloves & Carnations (Bir tutam karanfil), the second film of the Turkish director Bekir Bülbül, also presented a gripping story, this time with immensely beautiful pictures shot in the lonesome landscape of South Eastern Anatolia. An old man, maybe a refugee, and his 12-year-old granddaughter are traveling to the border of Syria, carrying a coffin with them, and inside—the corpse of the deceased wife. When there are no cars or trucks anymore to take them, they have to go by foot – the old men tearing the coffin behind him. This is a strong metaphor about loss and mourning. I also liked the granddaughter who seldom speaks and draws beautiful pictures – even with her woolen gloves on. The filmic style is very Iranian: you often don’t see the people who are talking within the frame.
